Information Please? Rooster Brand Overalls Button

This post comes from our Facebook page. NJSBS member Jade Papa worked with a collection at the University of North Carolina and asked about his button, yellow metal with a rooster and the words “I Crow Over All.” It’s on a men’s duster

First Answer: Pam Hudock VasilowIt’s a work clothes or “overalls” button. Even though it was found on a duster, it may have originally been from other work clothes. A “duster” was something worn to keep the dust off your good clothes, depending on your job. They were also very popular as extra long overcoats for people driving early automobiles. Very early autos were open air vehicles. The long duster covered up the clothing of both men and women, keeping their regular clothing clean. Such an outfit was usually worn with goggles, for keeping the dust out of one’s eyes. (When you find huge celluloid buttons, they are often from stylish overcoats worn while traveling in those early autos.) This button, however, is definitely from work clothes.

Chris Parham“I crow for all” quote from sailor powder monkey verse.

Lou YeargainWobble shank overall button. NBS has the book for sale about these special buttons.


Vicky MayhallRobert C. Wilkins Limited of Montreal, Canada made Rooster brand. The company was established in 1890. They made all kinds of work clothing so the buttons very well could be original on that linen duster. Very nice! 


Sam Kramer: One of a Kind Button

Sam Kramer, born in Pittsburgh in 1913, studied jewelry design in high school and college. In 1936 he moved to Greenwich Village in New York City, the center of bohemian and artistic culture. There, he opened a workshop and gallery to sell his surrealistic jewelry advertised as “fantastic jewelry for people who are slightly mad.” Among many things he used glass eyes from stuffed animals, saying, “Every conceivable material, often not associated with jewelry, can be used. Each material will provoke a certain feeling, and at the same time suggest a multitude of intriguing design possibilities.”

When I worked in New York City, I frequently visited Greenwich Village, but I never visited Kramer’s workshop, which was up a steep flight of stairs. In 1964 I read his obituary in The New York Times, which said that “Mr. Kramer was an ex- pert at making jewelry out of taxidermists’ glass eyes,” and later, “His wife, Carol Enners Kramer, is expected to carry on his work.” Reading that, it occurred to me that she might appreciate the challenge of making a button from a glass eye. So I trudged up the steep stairs to his studio and ordered a button, pictured here.

I was assured that mine was the only such button ever made.

by Ann Wilson


New Chapter for Novice Collectors

NOVICES TO COLLECTORS: A new club – the Mercer County Chapter of the NJSBS – aims to turn first-timers at button shows into avid collectors.

Helene Plank has set up the meetings, first Wednesdays at 7 p.m., at the Lawrence Headquarters of the Mercer County Library.

She is reaching out to those who attended a show and want to learn the button basics. Shown left to right: Helene, Barbara, Susan, and Donna.

Interested? Email 


Realistics Through the Years: A Fun Collectible for Children and Adults

Excerpt from “Realistics Through the Years: A Fun Collectible for Children and Adults”
By Jane Albanowski
Program for New Jersey State Button Society
September 8, 2018

…. In the 1940s, B. Blumenthal & Company sold Deluxe, realistic Celluloid buttons designed by Marian Weeber of New York City. Made for the dress trade, these buttons appealed to Moms in hard times. They displayed baskets of fruit, crates of fruits and vegetables, fruits cut in half, realistic vegetables, flowers and birds, as well as her now-famous plates of food. 

M. W. “Freddie” Speights, editor of the National Button Bulletin, wrote in October 1987: When Marion Weeber’s buttons were sold, “Few button collectors purchased them as they were more expensive than most modern buttons. Early collectors were too engrossed in the accumulation of antique buttons to pay much attention to moderns.


“In the intervening 40 years, these buttons have become very collectible. Although many of the Weeber buttons have survived these 40 years,” he added, “(they) were made of a plastic which because of the chemical content are crystallizing and disintegrating.

Celluloid Hats (Note: rounded self shank. I believe the spool is Celluloid, although it may be bakelite. It is described as “Deluxe,” indicating it was designed by Marion Weeber).


–The next partially-synthetic plastic to appear in the marketplace was Casein, based on a milk protein. Casein had long been used in paints and adhesives, and was first developed as a molding compound by two German chemists, who patented it in 1899 under the trade name Galalith. It was made using milk curd. Once the impurities were removed, it was washed, dehydrated under pressure, ground and dried, then combined with formaldehyde, says NBS Plastics Classification Committee.

Pix 4: Misc. shapes.

Casein was a natural thermoplastic. When cured with formaldehyde, it became a thermo-set, meaning the final product was not reversible upon reheating. It was inexpensive to produce, produced in the form of rods, tubes and sheets. However, it had a tendency to warp, shrink, and was not heat resistant, according to the NBS Plastics Classification Committee. Uncured scraps could be melted and reused, since the casein was still in a thermoplastic state. Individual Casein buttons could be cured in a formaldehyde bath in a matter of days, while it took several weeks to cure a casein sheet.

Pix 6. Stars.

Pix 7. Objects. (Note: the light green dog and acorn are Casein buttons, while the dark green key and red button are probably Bakelite. Casein and Bakelite can sometimes be difficult to distinguish).