Voting for this competition has been postponed to our in-person show in September.
Here are the requirements for this innovative competition :
Quilt Block Design from Buttons. Mary Jane Pozarcyki, $15, $10 $5. Pick your favorite quilt block(s) pattern. Use as many buttons as you want and create that pattern using your buttons of different colors. Craft buttons can be glued to mat board or wood, something like that. Collectible buttons (especially those with shanks) are to be sewn to fabric or mounted on cardboard with wire. Tip: You can back your fabric with batting and/or plastic needle point canvas to help stabilize your design, or even frame it in a shadow box frame. Beads may be added to embellish your design. Minimum size 6″ square, maximum.
Register here for Helene Plank’s presentation on Monday, May 10 at 2 p.m.
Free Artist Talk & Button Art Workshop
Monday, May 10, 2021 at 2:00 pm
Join local artist Helene Plank as she discusses her button mosaics composed of hand-sewn discarded buttons and beads on raw canvas. “I combine a variety of shapes, sizes and textures to achieve a specific mood or feeling. My mosaics are influenced by artist Georges Seurat and his technique of optical blending. The highlights and shadows are formed by using various tones and hues so that the viewer’s eyes can blend them visually. One of my signature techniques includes sewing iridescent buttons to specific areas of my artwork, in contrast with the flat finish of the other buttons and beads. The combination of these two finishes adds an extra touch to my button mosaics.” Learn how to make your own button artwork and how the art form can be easily adapted to current pandemic conditions using materials at home. All registrants will receive an electronic packet of handouts in advance of the workshop.
Helene Plank earned her Associates Degree in Visual Arts from Mercer County Community College, and attained her Bachelors Degree in Advertising Design from The College of New Jersey (formerly Trenton State College). Throughout her career, Plank has produced and exhibited her artwork at The College of New Jersey, the Lawrence Branch of the Mercer County Library, Mercer County Community College, West Windsor Arts Council, Capital Health at the Hopewell Campus, Lawrence Art & Frame Gallery, New Hope Arts Center, Artists of Yardley and the New Jersey Button Society, to name a few. Her artwork is a part of the Mercer County Cultural and Heritage Commission permanent art collection, as well as in private art collections. Her most recent recognition for her use of recycled materials is acceptance into the West Windsor Arts Council’s 2020 juried show, “Doom and Bloom.” Helene’s mixed media mosaics clearly demonstrate a concern for the environment by elevating common, discarded materials to a high art form.
National Button Week is in March – and now, it seems, everyone is responding to make it a month-long celebration! The New Jersey State Button Society continues its study of shell, under the tutelage of Annie Frazier, with a program by another NJSBS member, Jade Papa, who presents The Muscatine Button Queen on Sunday, March 21 at 3 p.m. Eastern Standard Time. The link to register will be available at NewJerseyStateButton Society.com and on the state’s Facebook page.
See Joan Lindsey’s excavation into the fascinating topic, Egyptian Buttons on Sunday, March 7 at 1 p.m. Pacific Time (4 p.m. EST) , presented by the Historical Button Club of Northern Idaho. Contact this group at firstname.lastname@example.org to register.
Simone Kincaid has assembled an intriguing look at Art in Miniature, appealing for both collectors and the general public. It will be shown on Tuesday, March 9 at 10 a.m. Mountain Time (noon, EST) for the Colorado Button Connection and again on Saturday, March 13 at 1 p.m. Pacific Time (4 p.m. EST) for Simone’s own club, the Historical Button Club of Northern Idaho (email@example.com to register).
Also good for the general public is Joan Lindsay’s The History of Fashion Through Buttons, on Saturday, March 20 at 1 p.m. Pacific Time (4 p.m. EST) for the Colorado Button Connection. Contact this group at firstname.lastname@example.org to register.
After Jade Papa’s program on March 21 at 3 p.m. Eastern Standard Time. March as ‘button month’ concludes with a program on Button Crafts, offered by the Colorado Button Connction on Wednesday, March 24 at 10 a.m. Mountain Time. If you need links to the Colorado Button Connection programs, email email@example.com. To register for the Idaho programs, email firstname.lastname@example.org. Additional programs are available by joining state societies in Colorado, Texas, and Minnesota. Email email@example.com if you have questions!
#1 — Would this be considered a carved ocean oyster smoky gray
?#2 — This looks like shell which is set in a brass setting, but I don’t know the proper terminology for it.
#3 — I can’t identify which shell, but it’s laying on top of another, different material (maybe bone?). Again, I don’t know what the classification is for this combination
.#4 — I think this is another carved ocean oyster smoky gray, but it’s a shank button. Is there a carving classification for geometric design
?#5 — This looks like yet another ocean oyster smoky gray, but with a pink shank
.#6 — This one is very small, but has a lot of different features. It’s got concentric circles, with what looks like an etched border, and within that border is shell that has mirror-like metal pieces set into it. Again, I don’t know the correct terms for this#7 –This button has parallel carving on an iridescent shell and has 4 holes. Is there anything unusual to comment about this on
e?#8 — This shank button is very iridescent. I think it’s called rainbow iridescent, and it’s got a deep, metal shank. It’s also carved. It’s pretty, but is it worth using for a competition?
#9 and #10 — Both look like the same type — geometrically-carved ocean oyster smoky gray. Is there anything outstanding about either of these, and which of these 2 should be entered, if at all?
#11 — This looks like a 4-hole mother-of-pearl that’s been carved. The back looks more like mother of pearl than the front. Am I wrong on all of this
#12 — This also looks like mother of pearl, but the carving is diamond shaped. Is it worth using in the competition just on looks, or is there something else about it that I’m missing? (Barbara Fox says — look at my post, the same button, but painted! I’m asking if we take THIS button and paint it ourselves, where does it belong 🙂
#13 — Another mother of pearl, but the carving is different. Is it worth using?#14 — This piece is carved, 4-hole and I think it’s carved rainbow iridescent. Is this one special enough?
#15 — This button is simple, but so beautiful — very much a rainbow iridescent brass shank button. But is it too redundant compared with the other buttons?
#16 — /this is the largest button selected. It’s got a little carving, and it looks slightly iridescent, but more of a dull finish. The interesting part is that it’s very concave/convex. Is there a special name for that type of button?
Here’s a novice question. Above is a shell button with a very large metal disk on the back. How does that get classified? Is it an escutcheon on the front and does the circle of the metal escutcheon count for anything?
Is is possible that the shell above meets all these classifications?
11-1 Iridescent shell.
11-4.2 Gilded applied metallic gold
11-5.4 Overlay (versus it being one piece and different colors)
11-7.2 OME metal
Can the shell above be
11-4.3 Painted (are the black circles painted)
Are the circles and the indentations carved (11-8.1 or
/this shell tray offers possibilities for analysis. How many carved specimens are there? Do any have another category
Thanks to Danielle Nicole who posted it on Button Byhtes.
The Division 1 button above is painted (11-4.3 paint/paint encrusted.) QUESTION: Can we take a Div III button, ordinary and made recently, and add our own painted design so that the button can qualify as painted? Or does that make it a studio button?
First, can you say this is a Division 1 button, i.e. made before 1919. It does not seem well made. The real question is, can you use this button to explain frames? Definition of “frame:” the body of the button forms a frame for a center of any material other than shell. So this ISN”T a frame. Is it shell mounted in metal? Where is that in the blue book? Or is it an OME as in 11-7.2 Metal assorted…including “ornate mountings, cut steel border, rim, elaborate border etc. ”
Novice and experienced button collectors – get tips on putting a competition tray together with a Zoom Q&A session with Annie Frazier on Sunday, February 21 at 4 p.m. Any questions are welcome but the featured topic will be how to label classifications for the more “ordinary” shell buttons, as above. Hint: Look at the back, maybe not so ordinary!
Anyone who clicks through to this post may join the zoom meeting on 2-21 at 4 pm Eastern time https://us02web.zoom.us/j/82206862694 and to join by phone use Meeting ID: 822 0686 2694 and call 1 646 558 8656.
TO SUBMIT A QUESTIONsend a pictures of the button, front and back, to ButtonsinNewJersey@gmail.com
We will have them either posted or ready to show on the screen.
Questions – call me at 609-759-4804 or firstname.lastname@example.org
Chris Parham responded to my watch wheel question: Watchwheel historical tidbit Michigan BS members were docent/curators at a small museum, which had a documented wedding dress/suit soft rust wool w/watchwheel pearls from neck to waist on bodice, & next county over another historic house museum also had a documented wedding dress/bodice with them too, so at least in this region they were possibly a “fad” or perhaps same region seamstress.
If yours had a watchwheel under the cut steel..Even this one may be suspect, wheel thick, but is separate under the cut steel pin. So I guess that will be my inquiry. Some watchwheels are thin & precise, some less so on otherwise nice quality button…will enjoy hearing more about them.